Shortlisted for the Man Booker Prize 2010

A wonderful, classic le Carre now reissued in a stunning new package.

Eva never really wanted to be a mother; certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker and a teacher who tried to befriend him. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood and Kevin's horrific rampage.

Harry Hole, drunkard, loner and brilliant detective is reassigned to surveillance after a high profile mistake. He's bored by his new job until a report of a rare and unusual gun being fired sparks his interest because of its possible links to Neo Nazi activity. Then a former soldier is found with his throat cut.

Don’t Blink is a portmanteau novel, jointly credited to James Patterson and (in smaller font on the jacket) the lesser-known Howard Roughan. And while Patterson has long been one of the most world’s popular thriller writers, there are those who have expressed doubts about his joint writing ventures with other writers such as Andrew Gross. Surely, they argued, we want our Patterson unadulterated, not filtered through the pen of another author? However, the books by Patterson and his various partners have largely succeeded in hitting the bestseller charts as firmly as Paterson's solo efforts; and it’s more than likely that this new book will repeat that success.

This is a Mafia epic, and will inevitably invite comparison with Mario Puzo’s The Godfather , though it’s a different approach to the subject. While Lombardo’s Steak House in New York is celebrated for its food, it’s also notorious for a less salubrious reason: the savage killing of a corrupt lawyer for the Organisation. The killer escapes without leaving a trace, and speculation about his possible employer are rife. At the murder, reporter Nick Daniels was present, interviewing a sports personality at another table. Without realising it, Nick is the recipient of an important piece of information -- but as he becomes further embroiled in the crime and its investigation, he find his own life is on the line -- and the fact that he has fallen in love further complicates an already fraught situation.

While some James Patterson fans might have preferred another Alex Cross novel (or something in one of Patterson's alternate Women’s Murder Club series), there's no denying that Patterson and his less celebrated co-writer (who may have done most of the heavy lifting here) do ensure that we keep turning the pages very swiftly. Patterson's famously cut-to the bone, super-brief chapters are well in evidence, further ensuring that momentum is the name of the game here. -- Barry Forshaw

DEAD MAN'S GRIP (B)

Streetwise George and his childlike friend Lennie are drifters, searching for work in the fields and valleys of California. They have nothing except the clothes on their back, and a hope that one day they'll find a place of their own and live the American dream. But do dreams come at a price!

Winston Smith works for the Ministry of Truth in London, chief city of Airstrip One. Big Brother stares out from every poster, the Thought Police uncover every act of betrayal. When Winston finds love with Julia, he discovers that life does not have to be dull and deadening, and awakens to new possibilities.

The Book Thief by Marcus Zusak was the best-selling debut literary novel of the year 2007, selling over 400,000 copies. The author is a prize-winning writer of children's books, and this, his first novel for adults, proved to be a triumphant success. The book is extraordinary on many levels: moving, yet restrained, angry yet balanced -- and written with the kind of elegance found all too rarely in fiction these days. The book's narrator is nothing less than Death itself, regaling us with a remarkable tale of book burnings, treachery and theft. The book never forgets the primary purpose of compelling the reader's attention, yet which nevertheless is able to impart a cogent message about the importance of words, particularly in those societies which regard the word as dangerous (the book is set during the Nazi regime, but this message is all too relevant in many places in the world today).

Nine-year-old Liesel lives with her foster family on Himmel Street during the dark days of the Third Reich. Her Communist parents have been transported to a concentration camp, and during the funeral for her brother, she manages to steal a macabre book: it is, in fact, a gravediggers’ instruction manual. This is the first of many books which will pass through her hands as the carnage of the Second World War begins to hungrily claim lives. Both Liesel and her fellow inhabitants of Himmel Street will find themselves changed by both words on the printed page and the horrendous events happening around them.

Despite its grim narrator, The Book Thief is, in fact, a life-affirming book, celebrating the power of words and their ability to provide sustenance to the soul. Interestingly, the Second World War setting of the novel does not limit its relevance: in the 20th century, totalitarian censorship throughout the world is as keen as ever at suppressing books (notably in countries where the suppression of human beings is also par for the course) and that other assault on words represented by the increasing dumbing-down of Western society as cheap celebrity replaces the appeal of books for many people, ensures that the message of Marcus Zusak’s book could not be more timely. It is, in fact, required reading -- or should be in any civilised country. -- Barry Forshaw

Many writers jostle for position at the top of the historical crime fiction tree, but for many aficionados one novelist has maintained an assured premium position for quite some time: the British writer CJ Sansom. His sprawling, exuberant and brilliantly organised novels featuring the wily hunchbacked lawyer Matthew Shardlake are particular favourites of those who seek something a little more ambitious in the field, and it's not hard to see why. Most of Sansom’s novels (which include Dissolution , Sovereign , Dark Fire and Revelation ) seem positively operatic in their sheer scale, and the vividness of which Tudor England is covered by the author makes most other writing in the genre seem footling.

At over 600 pages, the new book, Heartstone , is one of his most imposing, but after a challenging, slowish start (something frequently attempted by Sansom -- like many good writers, he often demands a certain patience from his readers), the customary comprehensive grip is rigorously maintained. The invasion of France mounted by Henry VIII has been a disaster, and, in retaliation, an imposing French fleet is making preparations to cross the Channel. At Portsmouth, the English navy is readying itself for the battle of its life, and at Henry's autocratic direction, a massive militia army is being raised. England, reeling under the debasing of its currency to pay for the war, is suffering crippling inflation and economic meltdown. (If the thought of Britain's involvement in controversial foreign wars while suffering an economic crisis might remind the reader of a few contemporary parallels, there is little doubt that is exactly what CJ Sansom intends.) Against this tumultuous backdrop, the lawyer Matthew Shardlake is presented with a difficult case via an elderly servant of Queen Catherine Parr which will plunge him into the labyrinthine toils of the King's Court of Wards. Shardlake’s job is to look into wrongs which have been done to the young ward Hugh Curteys by a Hampshire landowner, and (as is customary with most cases involving Shardlake) violent death is soon on the agenda, as the threat of war lours.

Readers of CJ Sansom will know exactly what to expect here, and all the usual pleasures afforded by this massively talented writer are satisfyingly on offer. If Heartstone is not quite vintage Sansom, that is perhaps because the author has set (and maintained) such a high standard. But what the novel provides in terms of reach and achievement is streets ahead of most of his contemporaries. -- Barry Forshaw

The brand new No.1 bestseller from Britain's best-loved crime writer...

From the bestselling author of STARTER FOR TEN (major film release due in October 2006) comes a brand new comedy masterpiece.