Combined here are 'Maus I: A Survivor's Tale' and 'Maus II' - the complete story of Vladek Spiegelman and his wife, living and surviving in Hitler's Europe. By addressing the Holocaust through cartoons the author captures the everyday reality of fear and the sensation of survival.

Alexis visits her mother's Greek island to discover her great-grandmother and daughters were rent by tragedy and she's drawn in.

What on earth is Bill Bryson doing writing a book of popular science-- A Short History of Almost Everything ? Largely, it appears, because this inquisitive, much-travelled writer realised, while flying over the Pacific, that he was entirely ignorant of the processes that created, populated and continue to maintain the vast body of water beneath him.

In fact, it dawned on him that"I didn't know the first thing about the only planet I was ever going to live on". The questions multiplied: What is a quark? How can anybody know how much the Earth weighs? How can astrophysicists (or whoever) claim to describe what happened in the first gazillionth of a nanosecond after the Big Bang? Why can't earthquakes be predicted? What makes evolution more plausible than any other theory? In the end, all these boiled down to a single question--how do scientists do science? To this subject Bryson devoted three years of his life, reading books and journals and pestering the people who know (or at least argue about it); and we non-scientists should be pretty grateful to him for passing his findings on to us.

Broadly, his investigations deal with seven topics, all of enormous interest and significance: the origins of the universe; the gradual historical discovery of the size and age of the earth (and the beginnings of the awesome notion of deep time); relativity and quantum theory; the present and future threats to life and the planet; the origins and history of life (dinosaurs, mass extinctions and all); and the evolution of man. Within each of these, he looks at the history of the subject, its development into a modern discipline and the frameworks of theory that now support it. This is a pretty broad brief (life, the universe and everything, in fact), and it's a mark of Bryson's skill that he is able to carve a clear path through the thickets of theory and controversy that infest all these disciplines, all the while maintaining a cracking pace and a fairly judicious tone without obvious longueurs or signs of haste. Even readers fairly familiar with some or all of these areas o! f discourse are likely to learn from A Short History . If not, they will at least be amused--the tone throughout is agreeable, mingling genuine awe with a mild facetiousness that often rises to wit.

One compelling theme that appears again and again is the utter unpredictability of the universe, despite all that we think we know about it. Nervous page-turners may care to omit the sensational chapters on the possible ways in which it all might end in disaster--Bryson enumerates with cheerful relish the kind of event that makes you want to climb under the bedclothes: undetectable asteroid colliding with the earth; superheated magma chamber erupting in your back garden; ebola carrier getting off a plane in London or New York; the HIV virus mutating to prevent its destruction in the mosquito's digestive system. Indeed, the chief theme of this sprightly book is the miraculous unlikeliness, in a universe ruled by randomness, of stability and equilibrium--of which one result is ourselves and the complex, fragile planet we inhabit. -- Robin Davidson

The internationally bestselling story of a young woman whose death in 1951 changed medical science for ever ...

Georgiana Spencer was, in a sense, an 18th-century"It Girl". She came from one of England's richest and most landed families, and married into another. She was, beautiful, sensitive and extravagant. Acquainted fairly young with Charles James Fox, her move from parties to Parties led her to become the intimate of ministers and princes, and she canvassed assiduously for the Whig cause, most famously in the Westminster election of 1784. By turns she was caricatured and fawned on by the press, and she provided the inspiration for Lady Teazle in Sheridan's School For Scandal . But, luckily for her biographer, she also had weaknesses that were to taint her life. As gin gripped the masses, so gambling enthralled the aristocracy. By 1784 Georgiana owed"many, many, many thousands", and the creditors she acquired dogged her until her death, but the sterility of her marriage meant that she never came close to disclosing the magnitude of her debts. Amanda Foreman describes astutely the mess that was personal relationships for the aristocratic subculture (Georgiana and the Duke engaged for many years in a ménage à trois with Lady Elizabeth Fraser, who inveigled her way into his bed and her heart). She is, by her own admission, a little in love with her subject, which can lead to occasional lapses of perspective, but generally it adds zest to a narrative built on, rather than burdened by, scholarship, that is at once accessible and learned. An impressive debut, in every sense. -- David Vincent

It took Vonnegut more than 20 years to put his Dresden experiences into words. He explained,"there is nothing intelligent to say about a massacre. Everybody is supposed to be dead, to never say anything or want anything ever again." Slaughterhouse Five is a powerful novel incorporating a number of genres. Only those who have fought in wars can say whether it represents the experience well. However, what the novel does do is invite the reader to look at the absurdity of war. Human versus human, hedonist politicians pressing buttons and ordering millions to their deaths all for ideologies many cannot even comprehend. Flicking between the US, 1940's Germany and Tralfamadore, Vonnegut's semi- autobiographical protagonist Billy Pilgrim finds himself very lost. One minute he is being viewed as a specimen in a Tralfamadorian Zoo, the next he is wandering a post-apocalyptic city looking for corpses. Slaughterhouse Five-Or The Children's Crusade A Duty-Dance with Death is a remarkable blend of black humour, irony, the truth and the absurd. The author regards his work a"failure", millions of readers do not. Released the same time bombs were falling on South East Asia, this title caused controversy and awakening. Essential reading for all. So it goes. -- Jon Smith